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실종 허위종결 경찰관 침입 女화장실 천장서 의문의 지문…신원 대조_我的网站
一 | 장미란 씨 등 실종 사건 2건을 허위종결한 혐의를 받는 제주서부경찰서 소속 부 모 경장이 25일 제주지방법원에서 구속 전 피의자 심문(영장실질심사)을 마친 뒤 이동하고 있다. 뉴스1 실종 사건 허위 종결로 구속된 A 경장이 침입한 경찰서 여자 화장실 천장 등에서 의문의 지문이 나와 경찰이 신원 대조 등 수사에 착수했다. 26일 제주경찰청에 따르면 A 경장이 지난달 22일 침입한 제주서부경찰서 여자 화장실의 천장과 용변 칸 위쪽 끝 등에서 신원을 알 수 없는 지문과 손바닥 자국 등의 흔적이 다수 발견됐다. 지문이 발견된 천장 등의 지점들은 불특정 다수의 손길이 닿는 휴지걸이 등과 달리 이용자의 손길이 거의 닿지 않는 곳이다. 다만 먼지로 인해 지문 형태가 온전하지 않은 것으로 알려졌다. 경찰은 발견된 지문 등의 신원을 확인하기 위해 대조 작업을 진행하고 있다. A 경장은 지난 7월 22일 제주서부경찰서 여자 화장실에 침입했다가 이 경찰서 소속 여경에 의해 적발돼 성범죄의 처벌 등에 관한 특례법 위반 혐의로 입건됐다. A 경장은 “화장실이 급해 들어갔다”, “남자 화장실에 휴지가 없었다”고 해명하며 범행을 부인했다. A 경장은 성범죄 혐의로 직위해제된 이후 숨진 채 발견된 장미란(37) 씨와 60대 남성 실종 사건을 허위 종결한 혐의가 드러나 구속됐다.。 The Kerala Film Producers’ Association recently released a list of Malayalam films that hit theatres in 2025, complete with their reported commercial performance. What was meant to be an industry update has quickly turned into a flashpoint, drawing sharp criticism from filmmakers, actors and audiences alike.A List That Sparked a StormOne of the earliest voices to question the list was Anuraj Manohar, director of Narivetta, which stars Tovino Thomas. The filmmaker took to social media asking why his film was missing from the document and demanded clarity on the criteria used to compile it. His post opened the floodgates, with netizens and industry insiders scrutinising the accuracy and intent behind the classification of films as superhits, hits or otherwise.The controversy only intensified when actor Nivin Pauly weighed in during a press conference held to promote his upcoming film Sarvam Maya. Addressing reporters, Nivin said that publishing such a list was unnecessary and unprecedented. According to him, cinema is a business like any other and every year will naturally see a mix of profit and loss. He argued that there was no reason to put those figures out in public, especially at a time when the Malayalam industry is trying to evolve and attract fresh investment. View this post on Instagram A post shared by Anuraj Radhamani Manohar (@anurajmanohar) Nivin added that making commercial verdicts public in this manner could do more harm than good, as it risks creating a negative perception among potential investors and partners. His statement has since been widely shared, with many agreeing that transparency should not come at the cost of damaging the ecosystem.Confusion Over Hits, Superhits and Missing FilmsAdding to the uproar is the way the association has categorised the year’s releases. Only a small number of films have been labelled as superhits and hits, leaving the majority outside these brackets. This has triggered heated online debates, especially over the classification of certain high-profile titles.A key point of contention is the treatment of Eko and Empuraan. Social media users are questioning why Eko has been listed merely as a hit even though it reportedly earned higher net profits than Empuraan, which the list describes as a superhit. For many, this discrepancy has raised doubts about whether the parameters used were consistent or even reliable. Equally puzzling is the absence of Sumathi Valavu from either the hit or superhit categories. The film enjoyed a healthy run in theatres and generated strong word of mouth, making its omission all the more glaring. Fans and trade observers have since demanded an explanation from the association, arguing that incomplete or selective reporting only erodes trust.The backlash has also revived a broader conversation about Nivin Pauly’s own recent career trajectory. While several of his films over the past few years have struggled at the box office, many of them have been critically appreciated. In this context, his comments are being read not as defensive but as a plea for a more nuanced understanding of success, one that goes beyond financial labels.As the debate rages on, the Kerala Film Producers’ Association has yet to issue a detailed clarification on how the list was prepared or why certain films were excluded. Until then, the document is likely to remain a sore point, serving as a reminder that in an industry built on collaboration, public scorecards can easily backfire.Also Read: Nivin Pauly, Mohanlal and Pranav Spark a Social Media Frenzy With Surprise Jet Photos。
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